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Map of northern Canada with various icons, such as "house", "briefcase" and "heart" icons, over different towns, cities and regions.

Bill C-11 has been on a lot of minds since it passed Parliament and became law last spring. Also called the Online Streaming Act, it promises enhanced discoverability opportunities for Canadian content creators on platforms like YouTube, Spotify and Netflix.

But in order for these platform’s new algorithms to recommend Canadian content, they need to be told which creators are, in fact, Canadian. This is where provenance metadata comes into play.

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More often than not, artsgoers of all ages are discovering new artists, shows and festivals through some sort of digital device. Whether they’re searching “events near me” on Google or asking Alexa to find a playlist that fits their mood, they increasingly look no further beyond what their device (and the algorithm behind it) recommends.

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The Linked Digital Future initiative (LDFI), as we have known it until now, is giving way to an exciting new project, thanks to funding from the Canada Council of the Arts and the Government of Canada’s Canada Cultural Investment Fund and Community Services Recovery Fund. A project that will continue to enhance the discoverability of the performing arts, while growing and strengthening the community surrounding the Artsdata knowledge graph. We call it the Artsdata Linked Open Data Ecosystem

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A hand holds a smartphone horizontally, displaying Google search results for “Events near me today”. An arrow points to the results, with the invitation to “Boost your digital presence so audiences can easily find your organization (and your events)”.

Calling all performing arts organizations! You are cordially invited to participate in the newest edition of CAPACOA’s Digital Discoverability Program, as part of the Linked Digital Future Initiative (LDFI) and in support of the Artsdata project.

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Tablet showing a graph of the number and sources of events in Artsdata, beside the LDFI logo and "Annual Report 2022-2023). There are abstract, interlinked diamond shapes in the background.

The Linked Digital Future initiative was launched in 2018 to promote the discoverability of the live performance sector. After just over four years, has this discoverability challenge remained just as critical? Or has increasingly advanced Artificial Intelligence (AI) solved the problem for us?

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Currently, much of the information about Canadian performing arts sector entities (including performers, directors, designers, choreographers, organizations, venues and events) is not properly formatted to be found, read and processed by search engines and other discovery technologies. As a result, it is too often ignored or underutilized.

The Linked Digital Future Initiative (LDFI) was created to make performing arts-related information findable and to help build better connections in our sector – between arts workers and audiences – in the digital age. One of the ways this has been achieved is by converting already publicly available information into reusable and accessible data in open databases, such as Wikidata and the Artsdata knowledge graph.

Although LDFI is leading this work, it will take many leaders in Canada’s performing arts sector contributing information to turn this vision into reality.

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Four people form a semicircle on stage, smiling and holding a series of hoops in their outstretched hands.

Two years ago, the Indigenous Performing Arts Alliance (IPAA) and the Canadian Association for the Performing Arts (CAPACOA) set out to undertake an unusual project. Noting the scarcity of information about Indigenous artists in open databases, the two associations saw a gap that had to be filled.

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Tanya Tagaq performing, wearing a vivid red dress and a long earring.

Why is Wikimedia Commons a discoverability opportunity for the performing arts?

In a previous post pointing out the essential steps to a productive digital presence for the performing arts, we highlighted as a best practice the sharing of images in the Wikimedia Commons media library, a sister project of Wikipedia and Wikidata, under a free to use Creative Commons licence.

This practice deserves our attention because even if it may seem complex or disorienting, it is above all an extraordinary way to benefit from the positive bias of search engines.

We’ll be looking at Wikimedia Commons from three different angles.

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“How could the works of Indigenous arts and culture practitioners be more readily findable to people looking for them over the Web?” There are many potential answers to this question. Yet, each one is dependent on answering another, more fundamental, question: “Who are Indigenous arts and culture practitioners?” or, to be more precise, “how can these practitioners be accurately and respectfully identified as being Indigenous?”

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Linked Digital Future - Un avenir numérique lié Successes and lessons learned in year one

As we wrap up a busy first phase of the Linked Digital Future initiative, we’d like to share a few successes and lessons learned with the performing arts community.

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