I Want To Showcase partners are proud to announce a new initiative that will contribute to the streamlining of the entire live performance value chain.
As of this fall, IWTS is rolling out a new Open Data Policy. This policy gives solo artists, bands and artistic companies the opportunity to transform their IWTS performer profile information into publicly available open data, in partnership with the Artsdata knowledge graph.
Read more
Calling all arts organizations! Applications are now open for the 4th annual Digital Discoverability Program.
Between summer 2024 and winter 2025, you will have the opportunity to work one-on-one with the Artsdata team. Together, we will find solutions to boost the discoverability of your organization, by focusing on your:
Bill C-11 has been on a lot of minds since it passed Parliament and became law last spring. Also called the Online Streaming Act, it promises enhanced discoverability opportunities for Canadian content creators on platforms like YouTube, Spotify and Netflix.
But in order for these platform’s new algorithms to recommend Canadian content, they need to be told which creators are, in fact, Canadian. This is where provenance metadata comes into play.
Read moreMore often than not, artsgoers of all ages are discovering new artists, shows and festivals through some sort of digital device. Whether they’re searching “events near me” on Google or asking Alexa to find a playlist that fits their mood, they increasingly look no further beyond what their device (and the algorithm behind it) recommends.
Read moreThe Linked Digital Future initiative (LDFI), as we have known it until now, is giving way to an exciting new project, thanks to funding from the Canada Council of the Arts and the Government of Canada’s Canada Cultural Investment Fund and Community Services Recovery Fund. A project that will continue to enhance the discoverability of the performing arts, while growing and strengthening the community surrounding the Artsdata knowledge graph. We call it the Artsdata Linked Open Data Ecosystem.
Read more
Calling all performing arts organizations! You are cordially invited to participate in the newest edition of CAPACOA’s Digital Discoverability Program, as part of the Linked Digital Future Initiative (LDFI) and in support of the Artsdata project.
Read more
The Linked Digital Future initiative was launched in 2018 to promote the discoverability of the live performance sector. After just over four years, has this discoverability challenge remained just as critical? Or has increasingly advanced Artificial Intelligence (AI) solved the problem for us?
Read more
Currently, much of the information about Canadian performing arts sector entities (including performers, directors, designers, choreographers, organizations, venues and events) is not properly formatted to be found, read and processed by search engines and other discovery technologies. As a result, it is too often ignored or underutilized.
The Linked Digital Future Initiative (LDFI) was created to make performing arts-related information findable and to help build better connections in our sector – between arts workers and audiences – in the digital age. One of the ways this has been achieved is by converting already publicly available information into reusable and accessible data in open databases, such as Wikidata and the Artsdata knowledge graph.
Although LDFI is leading this work, it will take many leaders in Canada’s performing arts sector contributing information to turn this vision into reality.
Read more
Two years ago, the Indigenous Performing Arts Alliance (IPAA) and the Canadian Association for the Performing Arts (CAPACOA) set out to undertake an unusual project. Noting the scarcity of information about Indigenous artists in open databases, the two associations saw a gap that had to be filled.
Read more
In a previous post pointing out the essential steps to a productive digital presence for the performing arts, we highlighted as a best practice the sharing of images in the Wikimedia Commons media library, a sister project of Wikipedia and Wikidata, under a free to use Creative Commons licence.
This practice deserves our attention because even if it may seem complex or disorienting, it is above all an extraordinary way to benefit from the positive bias of search engines.
We’ll be looking at Wikimedia Commons from three different angles.
Read more
All text on this website is licensed under a Creative Commons Attribution 4.0 International License.
CC BY 4.0
CC BY 4.0