“How could the works of Indigenous arts and culture practitioners be more readily findable to people looking for them over the Web?” There are many potential answers to this question. Yet, each one is dependent on answering another, more fundamental, question: “Who are Indigenous arts and culture practitioners?” or, to be more precise, “how can these practitioners be accurately and respectfully identified as being Indigenous?”
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Phase 2 of the Linked Digital Future initiative began amidst a crisis unseen before. With a performing arts sector entirely shut down, there were suddenly no live performances requiring digital discoverability. However, the fundamental needs that the LDFI had sought to address were still present. And new needs emerged.
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If you work with a performing arts organization, you might very well use WordPress for your website. And if so, you might use a common plugin for ease of managing your concerts and other events. At CAPACOA, through our Linked Digital Futures project, we are interested in how these event plugins use structured data.
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CAPACOA and the Conseil québécois du théâtre initiate an international cooperation project to increase the presence of performing arts in Wikidata.la présence des arts de la scène dans Wikidata.
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As we wrap up a busy first phase of the Linked Digital Future initiative, we’d like to share a few successes and lessons learned with the performing arts community.
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Over the last year, CAPACOA and Culture Creates collaborated with the Bern University of Applied Sciences to develop a conceptual model for performing arts data. At the same time, Culture Creates was building the artsdata.ca knowledge graph, and RIDEAU was rolling out the Scène Pro information system. The former assembles data about performances; the latter gathers data about organizations, venues and performing arts productions. What if the two datasets were interoperable and could exchange data? We tried it out.
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The COVID-19 pandemic has caused the most profound economic, social and human crisis ever experienced in the arts, culture and heritage sector. The performing arts sector – whose modes of production and dissemination rely heavily on gatherings and social proximity – is profoundly affected.
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CAPACOA seeks service providers to undertake exploratory activities for the development of a governance framework for open and shared data in the performing arts as part of the Linked Digital Future initiative.
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